résumé

Born Buenos Aires, Argentina. Lives and works in New York.
2000 Master of Fine Arts, University of Colorado, Boulder
1997B.A. in Art and Psychology, University of Arkansas, Fayetteville, Summa Cum Laude

solo exhibitions

2005 A.D.M. (Atelier Deluxe Musique), Hollywood, California
2004 Consulate of Argentina in New York
Arte x Arte, Buenos Aires (catalogue)
2003 "Homeless & Prostitutes," (with Alejandra Villasmil), Galería Galou, Williamsburg, New York
"Carry On," Hatton Galleries, Colorado State University, Fort Collins, Colorado
2002 "Carry On," Boulder Public Library, Boulder, Colorado
2001 "Carry On," preview, Rocky Mountain Peace and Justice Center, Boulder, Colorado
"Progress City," Edge Gallery, Denver, Colorado
2000 "Buy a Piece of America," performance-installation, CHAC, Denver, Colorado
1997 "History," Anne Kittrel Gallery, University of Arkansas, Fayetteville
1996 "Human Forms," Sponsored by Miss Phydella's Art and Antique Gallery, Fayetteville, AR
1995 "Discover the Depths of Reality," Gallery 111, Fayetteville, Arkansas

selected group exhibitions

2006 "Tree-mendous," Islip Art Museum, East Islip, New York
"Sculpture Space: Inside/Out," Hamilton College, Clinton, New York, curated by Sydney Waller
"A Tribute to Nam June Paik," Korean Culture Service, curated by Yu Jin Hwang, Jeeyun Kim, Inhee Iris Moon, New York
2005 Galería Sol del Río, Guatemala
"6th Kingston Sculpture Biennial," Kingston, New York
"The Nature of Things," curated by Karen Shaw, The Islip Art Museum, New York
"Traveler," The Dalton Gallery, Agnes Scott College, Decatur, Georgia
"Serene Obsession," Haim Chanin Fine Arts, New York City
2004 "Winds," Haim Chanin Fine Arts, New York City
"Eat me," curated by Jennifer Musawwir, 65hope Street, Brooklyn, New York
"ArtExpo.Mexico.04," curated by Luca Curci, Solaris/Observatorio, Michoacan, Mexico
2003 Scope Art Fair, Dylan Hotel, New York City
Rhizome.org website with project "Urban Corridor"
Latin American Arts Evening (LAAE), 38nine Studios, Long Island City, New York
2002 Commuter Commons, New York University, New York. Curated by Angela Garcia, Museo del Barrio.
2001 "Five Points of View," Art for Healing Gallery Center, New York, New York
"Comfort Station," Boulder Museum of Contemporary Art, Colorado
"Flag," Edge Gallery, Denver, Colorado
2000 "Bargain Vision," M.F.A. Thesis Exhibition, C.U. Fine Art Galleries, Boulder, Colorado
"Crosses of the World," Museo Nacional de Chile, Santiago, Chile
"Electronic Easel," curated by Simon Zalkind, C.U. Fine Art Galleries, Boulder, Colorado
1999 "Reflexiones del Alma II," Galería Rancho de Comate Cuitolco, Tenango del Aire, Mexico
"Reflexiones del Alma," Galería de Arte José Clemente Orozco, La Escuela Nacional Preparatoria, Mexico City. Mexico
"Día de los Muertos," CHAC, Denver, Colorado
"Waterworks," Boulder Water Treatment Plant, Boulder, Colorado
1998 "Fibonacci," Sybase, Boulder, Colorado
"Woman's Work" 9th Annual Women's Festival and Conference, Anne Kittrell Gallery, University of Arkansas
1997 "A Volatile Mixture of Painters," Anne Kittrel Gallery, University of Arkansas, Fayetteville
"Local No. 12," artists' collaborative exhibition, Vox Anima artspace, Fayetteville, Arkansas
"Eighth Annual Women's Festival and Conference," University of Arkansas, Fayetteville, Arkansas
1996 "Tango," Salón de Invierno, Arbos Arte, Buenos Aires, Argentina
Loft de Palermo, curated by Ester Wiznia, Buenos Aires, Argentina
"Commemorating 175 Years of Universidad de la Boca," Universidad de la Boca, Buenos Aires, Argentina
"Seventh Annual Women's Festival and Conference," Anne Kittrell Gallery, University of Arkansas
1995 "Fabergé," juried, Walton Arts Center, Fayetteville, Arkansas
1994 "Neurotic Art," Gallery 111, Fayetteville, Arkansas

performances, screenings

2006 Perpetual Art Machine, CinemaScope, curated by Lee Wells
DiVA, featured artist of galleryartist.com, New York
2005 Futuralia 2005, Mexico City
Athens Film Festival, Athens, Ohio
ScopeHamptons, curated by Lee Wells
2004 "Video Madness," El Museo del Barrio, New York
"Hit n' run series," Gigantic Artspace, curated by Louky Keijsers, New York
"Artexpo.Mexico.04," curated by Luca Curci, Solaris/observatorio, Michoacan, Mexico
2003 "Amaguanece," Segundo Festival Universitario de Música Electroacústica, Escuela de Artes, Benemérita
Universidad Autónoma de Puebla, Mexico
Second International Congress of Latino Artists: Multiple Realities, Multiple Fictions, panel presentation and screening of "La Conquista," King Juan Carlos Center, New York University, New York City
Gallery ON, Poznan, Poland, video screening
2002 "La Conquista," 9th Primavera en La Habana, La Habana, Cuba
2001 "Urban Corridor," VIII Brazilian Symposium of Computer Music, Fortaleza, Brazil
"La Conquista," Not Still Art Festival 2001 International Screening, Micro Museum, Brooklyn, New York
"La Conquista," Art for Healing Gallery Center, New York, New York
"La Conquista," 4to Encuentro Internacional de Poesía Visual, Sonora y Experimental, Vórtice, Espacio Giesso, Buenos Aires
"La Conquista," Not Still Art Festival 2001 International Screening, Boston, Massachusetts
1999 "Medical Diagnosis/Diagnóstico Médico," Pearl Street Mall, Boulder, Colorado
"Plastic Surgery," University of Colorado, Boulder

curatorial projects

2005 "Digital Visions," co-curated with Veronica Mijelshon, NURTUREart 2005 Benefit, Spike Gallery, New York, NY
2003 The Velvet Lounge Film Series, co-producer of ongoing series of underground films and experimental video at the Velvet Lounge, New York, NY
"INTER SECTIONS," co-curated multidisciplinary arts festival at Galou Gallery, Brooklyn, NY
"Finding Meaning in the Moving Image," co-curated video screening at Art for Healing, NY

bibliography

2005
• When Nature Is the Subject, and the Canvas. Helen A. Harrison. Art Reviews. The New York Times. Sunday, May 15, p. 11
• Sculpture park: Hasbrouck Park boasts three pieces to get wrapped up in. Steve Hopkins. Kingston Times. Kingston, New York, July 21
2004
• Remarks on Vivir sin después, catalogue essay by Robert C. Morgan
• Artistas encuentran en el viento su fuente de inspiración. Alejandra Villasmil (EFE), El Diario/LaPrensa, New York, January 21
• Hacen arte con el viento. EFE. AlDiaTX.com. January, 23. On-line
• Cuatro mujeres intentan capturar el viento en una muestra en Manhattan. Arte. Divino Magazine. Año III, No. 24, February, p. 15
2002
• House Warming. Julie Dunn. Westword. December 12-18, p. 40
• 'Carry On': Exhibit, Installation examines relationship between the houseless and their stuff. J. Gluckstern. The Daily Camera. December 13, pp. 18-19
• Exhibit focuses on homeless. Joe Southern. The Daily Times-Call. December
2001
• Home is Where the Art Is. Michael de Yoanna. Colorado Daily on-line. December 16.
• 'Carry On' art show examines lives of homeless. J. Gluckstern. The Daily Camera. December 16.
• Artists Look at Homelessness. Jessika Fruchter. Colorado Daily. October 9, pp. 4-5
• Cramped spaces. Kristie Betts. Boulder Weekly. May 3 - 9
• Simplicity of Noger's work speaks in BMoCa exhibit. The Daily Camera. May 20
2000
• Circuit of Life: Art and technology come together in "Electronic Easel". Sunday Camera. June 4
• Cyber Side Effects: 'Electronic Easel' assesses the impact. The Denver Post. July 20
• Vanity Fair. Westword. June 8 to 14
• Graduate students explore profound, mundane. J. Gluckstern. The Daily Camera. November 24
1999
• Plastic Surgery. Mark Slupe. Colorado Daily. April 28, p. 1

publications

• ¿Cómo se mira un cuadro? (How to observe a painting). AZ10 magazine. AZ Editora. Buenos Aires, Argentina. September 1996.
• Los impresionistas y la luz. (The impressionists and light). AZ10 magazine. AZ Editora. Buenos Aires, Argentina. October 1996.
• Paper: Rethinking the Paradigm: A New Look at the Mexican Muralists. Presented at the Rocky Mountain Interdisciplinary History Conference. Boulder, Colorado, September 22-23, 2000.
• Replanteando el Paradigma: Otra Mirada a los Muralistas Mexicanos. Capasso, A., Friedman, J., Tinajero-Baker, M. Difusión de la academia y la cultura. December 2000. Mexico City, Mexico. Year 2, Vol.1, No.5 pp.54-58
• Social and Perceptual Processes in the Installation 'The Trade'. Organised Sound 5(2). Cambridge: Cambridge University Press. Keller, D. & Capasso, A. With accompanying CD-Rom of 'The Trade.'
• Contributor to El Diario/La Prensa, New York, New York, since
• Apuntes sobre Documenta. Capasso, A., Korckak, D., Revista Universidad de Antioquia. Editorial Universidad de Antioquia. January-March 2003. Antioquia, Colombia. No.271.
New concepts and techniques in eco-composition. Organised Sound 11(1):55-62. Cambridge: Cambridge University Press. Keller, D. & Capasso, A. With accompanying CD-Rom of 'Vivir sin después.' 2006.
• Contributor to The New York Art World, since 2003
• Contributor to Latinart.com, since 2005
• Contributor to Gallery Artist, since 2005

honors and awards

2004 Grants in Aid Award to attend the 50th Robert Flaherty Film Seminar, Poughkeepsie, New York
Manhattan Community Arts Fund, LMCC, Individual Artist grant for the installation "Sisyphus"
2003 Manhattan Community Arts Fund, Individual Artist grant for the installation "Paititi"
2002 Boulder County Art Alliance, Addison Grant
Arts Alive, Fort Collins, Colorado
Hatton Galleries, Colorado State University, Fort Collins, funds to complete "Carry On"
Boulder Arts Commission, Major-Grant
2001 Boulder Arts Commission, Mini-Grant & Arts and Humanities Assembly of Boulder Addison-Mini Grant
2000 Dean's Assistance Grant and Dean's Small Grant, University of Colorado, Boulder
1999 Pueblo Bank Scholarship, Pueblo Bank & Trust, Boulder
Boulder Arts Commission Grant, Boulder, Colorado
1997 Mural Commission at Molly Maguires, Rogers, Arkansas
Blanche Elliot Scholarship, University of Arkansas, Fayetteville